Jordan Will get Engaged

Yvette Prieto and Jordan Jordan is engaged to marry his girlfriend, Cuban-American model Yvette Prieto, The Connected Press reviews. The National basketball association legend, 48, sprang the question over Christmas weekend. The pair continues to be together for 3 years. Take a look at photos of Jordan This is Jordan's second marriage - he was married to Juanita Vanoy for 16 years. They've three children together: two sons, Jeffrey Michael and Marcus James, along with a daughter, Jasmine. Following his 19-year career in basketball - throughout that they assisted the Chicago Bulls win six titles and was named best player five occasions - Jordan has become majority who owns the Charlotte now Bobcats.

Oscar Dog Showdown: Who's Cutest?

Stephen Lovekin/Getty Images The morning after Barbara Walters unveiled her "10 Most Fascinating People" for 2011, a story began circulating that the veteran ABC News reporter plans to retire in 2012.our editor recommendsBarbara Walters Names Steve Jobs Most Fascinating Person of the Year (Video)Barbara Walters Reveals 'Most Fascinating' Details, Makes Kardashian Dig on 'Letterman'The Kardashians Make Barbara Walters' 'Most Fascinating People of 2011' List PHOTOS: The Most Talked-About TV News Faces TMZ reported that, while taping an upcoming segment with President Barack Obama, Walters was overheard expressing an interest in interviewing him once more before she retires "next year." Walters, who continues to run primetime specials with ABC News in addition to her weekly duties as a panelist on The View, has been speculated to be on the brink of retirement for years -- something an ABC acknowledged while dismissing the story. "Barbara has joked that she is retiring every year since the Clinton Administration," said ABC News EVP Jeff Schneider in a statement. "Anyone who just did a day trip to Syria and a 90 minute primetime special and interview with the President and First Lady hardly sounds like someone retiring from anything." VIDEO: Barbara Walters Names Steve Jobs Most Fascinating Person of the Year (Video) Whether or not she has an exit strategy for her career, she has cut back on her duties. 2010 marked the last installment of her Oscar special and she usually appears on The View just three days a week. PHOTO GALLERY: View Gallery The Most Talked-About TV News Faces ABC News Barbara Walters

Robert Downey Junior. Drags On 'Sherlock Holmes'

We have been getting fun attempting to dissect everything which has been taunted or featured within the "A Virtual Detective: A Game Title Of Shadows" marketing campaign, without getting too detailed or spoilery obviously. From the feel of things, it's obvious that there's a great deal happening with new figures and supervillains and the like. Director Guy Ritchie told us this movie is much like the first but on anabolic steroids, for instance, even though among individuals clearly amped up elements would be the action sequences, there also appears to become a large amount of Holmes dressing and lower in a number of hide. When MTV News swept up with Robert Downey Junior. lately we requested him what he loved most about all of the costume changes and also the benefits and drawbacks of males wearing drag. "Most of them are hide, a number of them are innovative, but virtually the whole opening from the film I am putting on a Chinese dress Gui, that we loved greatly," he stated having a smile. Additionally towards the Gui, Holmes stays time like a bell hop, an seniors guy, curtains and wallpaper and outfitted like a lady. We requested Downey Junior. what it's about males in drag that never does not draw a couple of laughs, regardless of situation. "I'm not sure. It should not be funny if they are meaning to achieve that,Inch he stated. "Within this situation he's trying use a convincing disguise. I believe what's funny is Holmes outfitted like a lady busting in on Watson and Mary on their own honeymoon. Which I like." Exactly what do you think about males outfitted as women for laughs? Inform us within the comments or on Twitter!

Steven Spielberg on 'War Horse'

Steven Spielberg on 'War Horse'Although audiences will likely identify most with the humans performing in Steven Spielberg's "War Horse," the director says the actors who surprised him most were the equines.The film is based on a play of the same name (based in turn on Michael Morpurgo's novel) that employed elaborate puppet horses to represent the relationship between a young man and Joey, the horse his father sells into military service to aid the struggling family. In bringing the sweeping World War I epic to screen, Spielberg used live stallions for dramatic battle scenes as well as emotional moments.He credits the film's horse master, Bobby Lovgren, for making the horses comfortable with being on set and working with the actors."The horses need to trust the people they're around," Spielberg says. "They can't just show up for work in the morning, hit their mark and emote their feelings. They have to actually understand who they're in scenes with."Though Spielberg is known for running an organized, efficient shoot, the director says he was gratified by the "happy accidents" that happened while shooting "War Horse" -- "I mean those wonderfully unpredictable moments where Joey responded beyond anything we had ever planned for," he says. "Every day was filled with surprises and little moments of wonder for all of us. By the end of this experience, everybody had a new respect for the intelligence and the sensitivity of horses."Although Joey's journey from plowing fields to battling the enemy seems to mirror young Elliott's arc in "E.T.," Spielberg doesn't see the similarities as parallels. They're simply common touchstones that attract him to stories."So many of my characters in so many of my films are thrown into situations that they're unprepared for and have to rise above their own self doubts," he says. "That's just a recurring theme in many of my pictures."EYE ON THE OSCARS: THE DIRECTOR Helmers hot to globe trotWoody Allen | Stephen Daldry | David Fincher | Michel Hazanavicius | Terrence Malick | Bennett Miller | Alexander Payne | Jason Reitman | Martin Scorsese | Steven SpielbergIn the Mix Contact Christy Grosz at christy.grosz@variety.com

'Boardwalk' draws 3 million for season finale

The 2nd-season finale of "Boardwalk Empire" came 3 million audiences Sunday evening, on componen using the first-season closer. Cinemax skein also came 834,000 for any repeat showing later at night to create the entire to three.8 million. Pay cabler has restored the Atlantic City-set Prohibition drama for any third season and also the Terrence Winter-produced skein looks to become a longtime player for Cinemax. At 10 p.m. rigtht after "Boardwalk Empire" would be a sneak preview from the David Milch-written horseracing drama "Luck." Set at Santa Anita Park and starring, among many, Dustin Hoffman, Denis Farina and John Ortiz, the pilot received 1.a million. The state regular season starts Jan. 29. The 1.a million was beneath the 3 million who updated directly into begin to see the season finale of Milch's last show for Cinemax, "John From Cincinnati," but that series had the advantage of series-ending episode of "The Sopranos" if this first showed in 2007. Sunday would be a busy evening for other cablers too. A&E offered two hrs from the Stephen King miniseries "Bag of Bones," which introduced in 3.3 million audiences. Showtime went the penultimate episodes of year for "Dexter" (1.9 million) and "Homeland" (1.3 million). Contact Stuart Levine at stuart.levine@variety.com

The Good Wife Exclusive: Court Is Back In Session for Denis O'Hare

Denis O'Hare Court is back in session for Denis O'Hare. The Tony winner will reprise his role as Judge Abernathy on an upcoming episode of The Good Wife, TVGuide.com has learned exclusively. O'Hare, 49, has appeared in four episodes of the CBS legal drama as the famously liberal judge. His episode is scheduled to air at the end of January. American Pie's Jason Biggs lawyers up on The Good Wife "We have missed him a lot," series co-creator and executive producer Robert King tells TVGuide.com. "He doesn't have to wear the burn makeup for this." King is referring to O'Hare's current series gig on American Horror Story, as Larry "Burn Man" Harvey. He is also set to reprise his role as vampire king Russell Edgington on True Blood when the HBO drama returns for Season 5 next summer. The Good Wife airs Sundays at 9/8c on CBS.

Jerry Sandusky Declines Abuse Accusations Again (Video)

BERLIN -- Lars von Trier's apocalyptic drama Melancholia blew them within the 24th European Film Honours, Europe's version in the Oscars, taking home three trophies, including best film.our editor recommends'Melancholia': Second Trailer Shows Stunning Cinematography (Video)'The Artist': What sort of Black-and-White-colored Quiet Movie Defied the probabilities and Increased being an Oscar ContenderWhy The Eu Film Honours Will Matter This Year "I don't have a very message from Lars to suit your needs as they has stopped making public claims. I am in a position to't imagine why," mentioned among Melancholia's producers as she recognized very good on von Trier's account, making reference to the the director's infamous professional-Hitler quips in Cannes this year. Melancholia's cameraman Manuel Alberto Claro got the most effective cinematography jerk for his hypnotic lensing of earth's final days and production designer Jette Lehmann won the EFA on her behalf opulent sets. Melancholia was the probabilities-on favorite to simply accept top prize as of this year's EFA's. The host in the 24th European Film Honours, German comedienne Anke Engelke, acknowledged the film's leader status when she started the show, making her entrance on stage in the wedding dress walking in slow-mo, aping Dunst's character inside the von Trier drama. But Von Trier was outshine inside the best director race by fellow Dane Susanne Bier on her behalf Language Oscar champion In the Better World. As well as the European Film Academy preferred Tilda Swinton's gripping performance since the mother from the killer in We must Discuss Kevin to Kirsten Dunst's depressed bride in Melancholia, giving Swinton the most effective actress jerk. Colin Firth added an EFA best actor trophy to his Oscar in what will most likely be his last recognition for your King's Speech. Neither Firth nor Swinton handled to obtain for the EFA ceremony, which was somewhat low-wattage if this involves star energy. The King's Speech's award haul also incorporated the most effective editing recognition for Tariq Anwar as well as the People's Choice Award selected on by European cinema goers. Oscar favorite The Artist won one EFA for top composer jerk for Ludovic Bource's classic score. Bource designated the film's canine star for "inspiring all the music" in Michel Hazanavicius' film. Another strong Oscar contender, the 3 dimensional dance film Pina from Wim Wenders won best European documentary. Belgium brothers and sisters Jean-Pierre & Luc Dardenne needed the most effective script recognition for script for the Kid getting a bicycle. Belgium's other large win in the evening was for Oxygen, from first-timer Hendes Van Nuffel, won the eu Discovery prize for top debut feature. Inside the finest surprises in the evening, French acting legend Michel Piccoli, who was simply nominated inside the category for playing the Pope in Habemus Papam, was hauled on stage to recieve a very long time achievement award from actor Bruno Ganz and director Volker Schlondorff. Nevertheless the finest laughs in the evening came due to Stellan Skarsgard and also the tribute to Mads Mikkelsen, champion in the award for fulfillment in European cinema. Skarsgard switched it about his old friend in to a small-roast. "I don't admire you for that looks, because you're not attractive," Skarsgard riffed. "You own an 'interesting' face. I realize you've been selected hottest guy in Denmark like 6 occasions but people are by people who don't know you. And that we must remember, Denmark is definitely an very small place." But Skarsgard ended around the sweet note. "Mads, whatever you do features a clearness in it. There's nothing fuzzy by what you ought to do. You're acting is clean, elegant and extremely poetic." The finest applause in the evening was for veteran British director Stephen Frears, who received a very long time achivement recognition. "Really, I'm whatever you don't," Frears mentioned for the audience of European film professionals. "I'm no auteur which i make cheerful films because I am in a position to't stand the misery any more. I'm merely a bloke who makes films and hopes everyone else likes them. Which I'll make an effort to fare best next time.In . Full report on European Film Award individuals who win: EUROPEAN FILM 2011 Melancholia Dir. Lars von Trier EUROPEAN DIRECTOR 2011 Susanne Bier for In the Better World EUROPEAN ACTRESS 2011 Tilda Swinton in We Must Discuss Kevin EUROPEAN ACTOR 2011 Colin Firth inside the King's Speech EUROPEAN Film author 2011 Jean-Pierre & Luc Dardenne for your Kid getting a bicycle CARLO DI PALMA EUROPEAN CINEMATOGRAPHER AWARD 2011 Manuel Alberto Claro for Melancholia EUROPEAN DOCUMENTARY 2011 Pina Dir. Wim Wenders EUROPEAN ACHIEVEMENT IN WORLD CINEMA 2011 Mads Mikkelson EFA LIFETIME ACHIEVEMENT AWARD Stephen Frears EUROPEAN CO-PRODUCTION AWARD - PRIX EURIMAGES Mariela Besuievsky EUROPEAN ANIMATED FEATURE FILM 2011 Chico & Rita Dir. Tono Errando, Javier Mariscal & Fernando Trueba EUROPEAN EDITOR 2011 Tariq Anwar for your King's Speech EUROPEAN PRODUCTION DESIGN Jette Lehmann for Melancholia EUROPEAN COMPOSER Ludovic Bource for your Artist EUROPEAN DISCOVERY - PRIX FIPRESCI Oxygen (Belgium/Netherlands) Dir. Hendes Van Nuffel PEOPLE'S CHOICE AWARD The King's Speech EFA Online Video AWARD The Wholly Family PHOTO GALLERY: View Gallery Your building of 'The Artist' Related Subjects The King's Speech Melancholia The Artist Colin Firth Kirsten Dunst Tilda Swinton Tom Hooper Susanne Bier Lars von Trier Aki Kaurismaki Michel Hazanavicius Worldwide

Dark Knight Rises Prologue Confirmed

Six IMAX minutes to screen before M:I4It's been leaked previously and retracted again, but there's official confirmation from Warner Bros. that the six-minute Dark Knight Rises prologue will be shown before IMAX screenings of Mission: Impossible - Ghost Protocol later this month. *Cough* Told you so.Says Christopher Nolan of the decision: "Our experience on The Dark Knight shooting and projecting IMAX 15 perf 65mm/70mm film was inspiring. The immersive quality of the image goes beyond any other filmmaking tool available, and in revisiting Gotham, we were determined to shoot even more of the movie in this unique format. Giving the fans an early look at an IMAX sequence is a great way to draw attention to what I believe will be an incredible way to experience our story when it comes out next summer."Those lucky folk in the US will clap their eyes on the prologue when M:I4 lands there on December 16, while over here we'll have nearly a week to dodge the inevitable online blow-by-blows. December 21 is the date to circle if you're in the UK.The following screens will be showing the footage in the UK: BFI London; the National Media Museum IMAX in Bradford; Glasgow Science Centre IMAX Cinema; and Odeon Manchester IMAX @The Printworks in Manchester. If you need another reason to see Tom Cruise hang off the Burj Khalifa on an IMAX screen, look no further. The Dark Knight Rises is in cinemas on July 20, 2012.

Ratings: People Dont Love I Hate My Teenage Daughter

I Hate My Teenage Daughter I Hate My Teenage Daughter, which didn't get a lot of love critically, also didn't get a lot of love from viewers, as the show lost some 37 percent of its lead-in's audience, Nielsen overnights show. Muppets and models, meanwhile, gave The CW its most-watched Wednesday in a year. NBC's Christmas in Rockefeller Center declined by 5 percent from a year ago, and Harry's Law set series highs in both viewership and the 18-to-49-year-olds, while the Grammys special rose 12 percent from a year earlier. Catch up on today's news 8 p.m.CBS: Survivor: South Pacific 10.92 million viewers (3.1 demo rating)ABC: The Middle 6.01 million (1.8); Suburgatory 5.26 million (1.7)Fox: The X Factor 10.87 million (3.7) {8-9:30 p.m.}NBC: Christmas in Rockefeller Center 9.42 million (1.8)CW: Muppets Christmas: Letters to Santa 2.40 million (0.8) 9 p.m.CBS: Criminal Minds [rerun] 7.55 million viewers (2.1 demo rating)ABC: Modern Family [rerun] 7.16 million (2.6); Happy Endings [rerun] 4.96 million (2.1)Fox: I Hate My Teenage Daughter 6.84 million (2.8) {9:30 p.m.}NBC: Harry's Law 9.91 million (1.4)CW: America's Next Top Model 1.93 million (0.8) 10 p.m.CBS: Grammy Nominations Concert Live 5.36 million viewers (1.9 demo rating)ABC: Revenge 4.01 million (1.2)NBC: Law & Order: Special Victims Unit 9.83 million (2.2)

REVIEW: The Lady Flubs Its Chance to Tell the Story of Aung San Suu Kyi

There’s something immobile at the center of The Lady, a kind of Botoxed biopic with an unlikely director — Luc Besson — manning the syringe. Technically, that something is the figure of Aung San Suu Kyi: Here the Burmese activist is played by Michelle Yeoh, who gets the already wearisome Shepard Fairey treatment on the film’s poster, and seems to have attended the special edition stamp school of acting in preparation for the role. Almost to a scene, Yeoh is so still and serene she’s practically submerged, her dialogue seeming to rise like beatific air bubbles that burst into tiny, untroubled smiles at the surface. Rather than ripple out — and risk the suggestion of any small mercy of movement whatever — Yeoh’s performance forms a kind of undertow that pulls the surrounding story and characters into the hagiographic shallows, where they float like sea monkeys with better set dressing, blooping away about Burmese democracy. Besson begins The Lady with an X-ray of the origin story that opens his last producing project, Colombiana: A young girl bidding farewell to her about-to-be martyred father. Here it is Suu Kyi being kissed good-bye in 1947 by her dad, Burma’s interim prime minister and founder of its independent army, before he is killed in a coup. From there we move to Oxford in 1998, where Suu Kyi’s husband, Michael (David Thewlis), has just been diagnosed with terminal prostate cancer. Michael’s twin brother (also Thewlis) shows up to offer some words of comfort, and we learn that his wife has been stuck in Burma for almost a decade, and he hasn’t seen her in three years. This little info drop is the first of several pieces of rather pressing news that are revealed, if not dully, then with a distinct lack of dramatic horse sense. Suu Kyi’s story is worthy of Puccini, which is its own challenge, but The Lady lays its cards down so casually that it would be easy to assume that anyone might interrupt an urgent personal visit from England home to Burma — as Suu Kyi does during a subsequent flashback to 1988 — to give a game-changing speech at a massive political rally for peace, or that receiving a Nobel Prize is as easy as buttering up an insider at an academic cocktail party. From that 1988 trip, the story of Suu Kyi’s conversion to homeland activism takes over, but our sense of Burma’s political climate remains murky and malleable. Elections and sentencings happen without any real sense of what’s at stake, beyond the dictatorial gamesmanship of the country’s military junta, led by a cigarette-sucking cartoon of General Ne Win (Htun Lin). Much of what follows alternates between scenes of Suu Kyi — who transitions seamlessly from Oxford housewife with a writing habit to saintly figurehead who is never less than fully turned out in elegant silks with flowers tucked into her hair — inspiring the people with stump speeches for peace, and the General’s fist-shaking schemes to detain her. Detain he does, with years-long house arrests, periods that for reasons that are poorly understood continue despite the fact that Suu Kyi wins a 1990 election by a landslide. Her family — Thewlis and two teenage sons played by Jonathan Raggett and Jonathan Woodhouse — are allowed to visit intermittently, but even when she’s free, Suu Kyi vows not to leave Burma, knowing she would not be permitted to return. What is actually accomplished by this vow is frozen, like the rest of The Lady, inside of Suu Kyi’s Mona Lisa smile. When Besson presses on the romantic drama of the central couple’s separation, the script (written by Rebecca Frayn) tatters under the strain: Thewlis is neutered into a piece of tweedy furniture — constant, supportive, there — who says things like, “If they think I’m going to take this lying down they’ve got another thing coming!” and “Another refusal, and all the while time slipping through my fingers!” Suu Kyi says she has a terrible temper but endures her mother’s death, her family’s absence, and a hunger strike with the same temperate, monsoon-proof expression. Given The Lady’s Teflon, cinema-of-quality surface (the odd vernal, Asiatic vista is thrown in for variety) and almost childishly palatable contents (triple-blended for global smoothness), the film’s two organic moments feel miraculous. The first illustrates the translation of Suu Kyi’s heated standoff with the militia into myth as it is pantomimed across Rangoon in a brief, brilliant montage. The second is much (muuuuch) further on, as Suu Kyi shares in her Nobel Prize ceremony by transistor radio, an award her family accepts in her stead in an unexpectedly lyrical sequence. Knowing that it’s still possible to breathe life into Pachelbel’s Canon only enhances the sense that the rest of this somnolent hymn to a national hero is a sorely missed opportunity. Follow Michelle Orange on Twitter. Follow Movieline on Twitter.